Post by Cali on Sept 14, 2015 13:17:58 GMT -8
WORLD WIDE REGISTRY
THE BASICS
FULL NAME:
Satoshi Kimimaro
Satoshi Kimimaro
DATE OF BIRTH | AGE:
January 20th | 23
January 20th | 23
PLACE OF BIRTH | CURRENT CITIZENSHIP:
Greece | Japanese
Greece | Japanese
FACE CLAIM:
Kougami Shinya Psycho-Pass
Kougami Shinya Psycho-Pass
UNIT NAME/POSITION:
BLANK
BLANK
UNIT PARTNER:
N/A
N/A
NAME LOCATION:
N/A
N/A
GENDER:
Male
Male
MARITAL STATUS:
Single
Single
OCCUPATION:
Bloodhound Sergeant/part time university student
Bloodhound Sergeant/part time university student
ALIAS:
Played by CALI
Played by CALI
PERSONALITY
[attr="class","fbidossiertxtboxy"]He’s smart and caring; he’s calm, but is paranoid. He wants to prove himself so he wont feel useless, especially toward the Bloodhounds. Sato is friendly and gets along with pretty much anyone unless they cross the line and push his buttons. After that he lashes out, only to apologize after. He hates to see someone in trouble, so he mostly goes and helps, which sometimes gets him in troublesome situations. He’s very devoted when approaching situations, never wanting to stop until he’s completed it. This is seen nowhere more than his artwork. Despite being accepting and considerate, Sato is also guarded.
(Kato's Personality) : Sato's alter is a ruthless person. He will attack anyone that steps across his line, much like Sato, except his line is much shorter and also tends to be hidden. The wrong words spoken turn him violent. Kato also hates Sato, claiming he's weak. He claims he should be the soul taker of the body, going so far as to try finding ways to pry Sato out.
(Kato's Personality) : Sato's alter is a ruthless person. He will attack anyone that steps across his line, much like Sato, except his line is much shorter and also tends to be hidden. The wrong words spoken turn him violent. Kato also hates Sato, claiming he's weak. He claims he should be the soul taker of the body, going so far as to try finding ways to pry Sato out.
HISTORY
[attr="class","fbidossiertxtboxy"]Satoshi's father left when they were young, so he grew up hating him. He was born in Greece, but after his fathers departure, they moved to Japan; his mother had family there.
He lost his ears at the tender age of 5, being molested by his uncle. This drove his mother insane - she couldn't bear to think that her dear twin brother would do such a thing to her son. She grew silent, and much later, violent. Because of the trauma he received from first being molested by his uncle and then by his mother going insane, a new side of Sato was born. This side was violent, angry, and unafraid to fight back (unlike Sato himself). He was merciless, ruthless, and not afraid to cross any line to get what he wanted. Kato, he said his name was. And he was not Sato.
Between the ages of four and six, he was really close to his cousin. But when her mother found out about the molestation, she took her away from the rest of the family. To this day, he has no idea where she is or if she's okay. He always thought of her as a sister, even though he hated her father. His mother moved his family to a different part of Japan just after the truth came out, and soon after, her abuse against him began. When he was 13, the word Nameless appeared over his collarbone, and his mother accused him of getting a tattoo. She threw him out of her house and onto the streets, but not before trying to remove said “tattoo” with a straight razor. His chest still bears the scars.
While he was left on the streets in his youth a blond, known to him as Malik, came to his aid. Malik told Satoshi what the word across his collarbone meant; that it was there for a reason. It was a name, his name. He taught Sato all about being a sacrifice - everything Sato knows he can thank Malik for. Then the older disappeared, leaving Satoshi to fend for himself again. Still, in the year he had known the blond, he had come to look up to him greatly. Sato and Kato both remain dreadfully devoted to Malik in any way needed.
Satoshi never returned home. Instead, he was taken in by an old woman in the underground. She allows him to stay in her apartment complex with no pay simply because Sato reminds her of the son she lost in a war. She gave him her son's full (if not slightly outdated) wardrobe, and helped him learn to hem and sew in order to make them fit correctly. To make up for not having to pay for his apartment, Sato does handy work around the complex for her. Sometimes he goes so far as to clean around her house and take care of her pets when she's away, which is very often. She's only seen about once per month due to all the trips she takes.
When his mother became more ill, His older brother Yako moved in with him. At first Sato was against it, but he couldn't turn down family, even if said family use to fight him. His brother helps with the harder work around the complex. He only truly sees his brother when he wakes up, and when he goes to bed. Even then, most of the time Yako is nowhere to be found. He does find messes all over their home, however, left for him to clean.
Three years after he left, Malik returned. He had many stories for Sato, and for Kato as well. He told Kato secrets only his most trusted acquaintances knew. Half a year later, Sato was filled in as well.
Two years after Malik's return and a year after he took over Seven Moons, Satoshi was named Sergeant of the Bloodhounds.
Satoshi's first fighter was a young woman whom Kato didn't approve of. At all. Long story short, he broke her mind, driving her insane, and she was out of the picture. His second fighter was a young man named Eru, whom Kato did approve of. But Kato was seeing more and more ability to become afighter. The prospect was mouthwatering to the alter. Then the name disappeared from his chest. Nameless was gone, and a Blank emerged.
It all made sense to Kato, while Sato was stunned. Nameless. One without a name. Malik, now known as Kyros, had conditioned him to be a sacrifice. But Nameless only meant Blank. Kato was ecstatic. Despite approving of Eru, he cut ties. There was no name anymore, so there was no bond. And he could be a fighter now. He took a sacrifice, another young woman, but Yuri saw exactly what was going on within the mind of his Sergeant.
Then the sacrifice died, though it meant nothing to Kato, because Malik had found him and told him his plan. He would work with a fighter again, a one Shivani, which meant he would return to being a sacrifice. Kato was less than pleased, but seeing as Sato was the original personality of the body, his will was just a bit stronger. Satoshi returned to normal, which he was so glad for, as his body had never been trained to work as a fighter in the first place. And he has stayed a sacrifice sans namesake since.
He lost his ears at the tender age of 5, being molested by his uncle. This drove his mother insane - she couldn't bear to think that her dear twin brother would do such a thing to her son. She grew silent, and much later, violent. Because of the trauma he received from first being molested by his uncle and then by his mother going insane, a new side of Sato was born. This side was violent, angry, and unafraid to fight back (unlike Sato himself). He was merciless, ruthless, and not afraid to cross any line to get what he wanted. Kato, he said his name was. And he was not Sato.
Between the ages of four and six, he was really close to his cousin. But when her mother found out about the molestation, she took her away from the rest of the family. To this day, he has no idea where she is or if she's okay. He always thought of her as a sister, even though he hated her father. His mother moved his family to a different part of Japan just after the truth came out, and soon after, her abuse against him began. When he was 13, the word Nameless appeared over his collarbone, and his mother accused him of getting a tattoo. She threw him out of her house and onto the streets, but not before trying to remove said “tattoo” with a straight razor. His chest still bears the scars.
While he was left on the streets in his youth a blond, known to him as Malik, came to his aid. Malik told Satoshi what the word across his collarbone meant; that it was there for a reason. It was a name, his name. He taught Sato all about being a sacrifice - everything Sato knows he can thank Malik for. Then the older disappeared, leaving Satoshi to fend for himself again. Still, in the year he had known the blond, he had come to look up to him greatly. Sato and Kato both remain dreadfully devoted to Malik in any way needed.
Satoshi never returned home. Instead, he was taken in by an old woman in the underground. She allows him to stay in her apartment complex with no pay simply because Sato reminds her of the son she lost in a war. She gave him her son's full (if not slightly outdated) wardrobe, and helped him learn to hem and sew in order to make them fit correctly. To make up for not having to pay for his apartment, Sato does handy work around the complex for her. Sometimes he goes so far as to clean around her house and take care of her pets when she's away, which is very often. She's only seen about once per month due to all the trips she takes.
When his mother became more ill, His older brother Yako moved in with him. At first Sato was against it, but he couldn't turn down family, even if said family use to fight him. His brother helps with the harder work around the complex. He only truly sees his brother when he wakes up, and when he goes to bed. Even then, most of the time Yako is nowhere to be found. He does find messes all over their home, however, left for him to clean.
Three years after he left, Malik returned. He had many stories for Sato, and for Kato as well. He told Kato secrets only his most trusted acquaintances knew. Half a year later, Sato was filled in as well.
Two years after Malik's return and a year after he took over Seven Moons, Satoshi was named Sergeant of the Bloodhounds.
Satoshi's first fighter was a young woman whom Kato didn't approve of. At all. Long story short, he broke her mind, driving her insane, and she was out of the picture. His second fighter was a young man named Eru, whom Kato did approve of. But Kato was seeing more and more ability to become afighter. The prospect was mouthwatering to the alter. Then the name disappeared from his chest. Nameless was gone, and a Blank emerged.
It all made sense to Kato, while Sato was stunned. Nameless. One without a name. Malik, now known as Kyros, had conditioned him to be a sacrifice. But Nameless only meant Blank. Kato was ecstatic. Despite approving of Eru, he cut ties. There was no name anymore, so there was no bond. And he could be a fighter now. He took a sacrifice, another young woman, but Yuri saw exactly what was going on within the mind of his Sergeant.
Then the sacrifice died, though it meant nothing to Kato, because Malik had found him and told him his plan. He would work with a fighter again, a one Shivani, which meant he would return to being a sacrifice. Kato was less than pleased, but seeing as Sato was the original personality of the body, his will was just a bit stronger. Satoshi returned to normal, which he was so glad for, as his body had never been trained to work as a fighter in the first place. And he has stayed a sacrifice sans namesake since.
Likes: Art, Painting, Unit Battles. Cats. Writing. Oranges
Kato Likes: Fighting, Bringing pain to others. Tearing them down.
Dislikes: His brother for being annoying. His father. His uncle.
Kato Dislikes: Happy people, Anyone who annoys Sato. The smell of paint. Oranges.
Other: When Kato is released, his voice becomes deeper, his eyes become narrow, and his words become cold. He also has scars all along his collarbone from where his mother tried to remove his name, before it disappeared on its own.
He attends an art school, and excels in metalwork and sculpture. He was teased growing up for not having ears, people calling him words a boy at such a young age shouldn't ever hear. He likes to take strolls to ease his mind. Sometimes he likes to sit near the ocean at night, and can be found building a sand castle (a nod to the childhood he could never really have), or simply watching the water.
He doesn't really have any friends at school, being extremely introverted and anxious. However, he strongly looks up to his metalwork professor, who appreciates his artwork.
Satoshi looks up to Malik greatly. Kato sees him as someone to prove himself to, taking martial art classes so that one day he could defeat the other in a fight fist to fist, etc. Sato enjoys the martial arts classes as well, believing it makes him a better Bloodhound.
The internal battle of Sato and Kato.
Kato enjoying his job a little too much.
Sato has a bad habit of smoking, which Kato hates.
Kato Likes: Fighting, Bringing pain to others. Tearing them down.
Dislikes: His brother for being annoying. His father. His uncle.
Kato Dislikes: Happy people, Anyone who annoys Sato. The smell of paint. Oranges.
Other: When Kato is released, his voice becomes deeper, his eyes become narrow, and his words become cold. He also has scars all along his collarbone from where his mother tried to remove his name, before it disappeared on its own.
He attends an art school, and excels in metalwork and sculpture. He was teased growing up for not having ears, people calling him words a boy at such a young age shouldn't ever hear. He likes to take strolls to ease his mind. Sometimes he likes to sit near the ocean at night, and can be found building a sand castle (a nod to the childhood he could never really have), or simply watching the water.
He doesn't really have any friends at school, being extremely introverted and anxious. However, he strongly looks up to his metalwork professor, who appreciates his artwork.
Satoshi looks up to Malik greatly. Kato sees him as someone to prove himself to, taking martial art classes so that one day he could defeat the other in a fight fist to fist, etc. Sato enjoys the martial arts classes as well, believing it makes him a better Bloodhound.
The internal battle of Sato and Kato.
Kato enjoying his job a little too much.
Sato has a bad habit of smoking, which Kato hates.
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